Tuesday, 2 August 2016

Impermanence


Is not having permanent beers the future for craft brewing?

Last night in the White Hart Tap in St Albans, I was drawn straight towards the abstract Mondrianesque artwork on a Cloudwater pump clip. I’d made the decision to order a pint of this beer based on its maker before even scrutinising the style. It was a 3.9 ABV pale ale and like their other offerings, they have the power to beam lucid hop profiles as if through the clarity of a plasma screen. 

Regarding the choice to opt for that hand pull based solely on the brewery it’s from is a concession I make to just a handful of British brewers - they’re the usual raved about culprits from Finchampstead, Evercreech, Huddersfield, Bakewell, Bristol and Buxton. There is another “B” I can add to this list - Bermondsey and Kernel - the region’s brewing pioneer. I’m just as drawn towards its cork tile simplicity when I see it on tap. Writing a piece in 2015, I was curious to know how come its Table Beer’s ABV keeps changing:


Hi Alec,

Thanks for the kind words and glad you enjoy the Table Beer.

The variation in abv on the beer is more a matter of our openness than 
anything technical.  We don't vary the grist ingredients by much, but as 
brewing (in the manner that we do) is a manual process, we inevitably 
have some batch to batch variations (which we enjoy and celebrate), so 
the abv will always vary slightly.  I would reckon that all breweries of 
our scale (and certainly smaller, and probably bigger) would have as 
much variation in the abv of their beers as we have in ours.  It is just 
that technically and legally brewers are permitted a margin for error on 
the abv declared on the label/bottle/pumpclip of + or - 0.5%. So if you 
have Brewery X Pale Ale at a declared 5% abv, it could (and probably 
does) range from 4.5% to 5.5% - but as the labels have all been printed 
before hand with 5% abv, they have no need (or way) to mention that any 
particular batch of that beer is of a slightly different abv.  As I 
mentioned before, we like to celebrate the uniqueness of each batch, and 
so we print the labels for each batch specifically for that batch, with 
the particulars of that batch, including abv, on the label.  So the 
variation is there in most beers, I would reckon, it is just that we 
make it clear.

Let us know if you have any questions.

All the best,
Evin

Thus Evin O’Riordain not only brews some of the best beer in the world, but kindly took the time to write that informed reply. My point here is that though Kernel bring out regular styles or single hop varietals, each batch is different. There is no equivalent of a Bishop’s Finger, Doom Bar or Jaipur - titles that are sought out by the public (for good or bad) which are made consistently to a specific recipe.

It’s a question I asked at the White Hart Tap when I saw the pale ale pump clip. Do Cloudwater have any permanents? It doesn’t seem so. I asked them on Twitter:



@cloudwaterbrew Quick question - as a brewery do you have any permanent beers?
 

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Cloudwater Brew Co
@cloudwaterbrew

@LathamAlec We have permanent styles, but lots of variation within our range.

So, a similar story. Cloudwater also tie their beers in to reflect seasonality.


There are benefits to not having permanents. Arguably, you make the brewery the focus rather than the beer. Eyeing the brewery name almost becomes a chef’s recommendation - you just trust the expertise whether it’s a Chinook porter or a Columbus IPA. 

I also dwell on the acquisition of breweries by brewing giants. How could you ingest a brewery that doesn’t “do” permanents unless you give the head brewer 100% control over production? How could you make business predictions based on shimmering variables where each product is a one-off? If a brewery is successful without a regular portfolio, you can’t homogenise a range except by completely removing the reason people buy its beer and therefore, lose them. Camden Brewery is the opposite - easily taken on as it brews a handful of tried, tested and consistent good beers.

So could this impermanence (I don’t mean it in the Buddhist sense - but then maybe I do) be the future for craft brewing? A situation whereby a business’ fortune is based on its skill and reputation alone?

Wednesday, 27 July 2016

A call to arms - the pub division bells of Westminster



I push through the glass door of the Blue Boar and ascend up a curving stair to be met with what looks like a concierge. He, like the others around and behind the bar, is dressed in a smart black waistcoat with a pressed white shirt gleaming through the lapels. Everyone sports a name badge.
“Is it okay just to come in for a drink?”
“Of course, sir - it’s a bar!” He gestures towards it. 
Outside the summer’s blazing. The fridges and beer founts glow in the comparative darkness making them all the more alluring.
“And er… I understand you have a division bell on site for MPs when there’s a vote?” Further words trail off as he arrests me with an eager beam. He turns and I follow him under glass cases housing models of politicians past and present. We come to a polished metal boss on the wall - I’m looking at my first ever division bell. 



Around the palace of Westminster, division bells haunt six pubs and a multitude of restaurants, bars and clubs. They’re called division bells because when they go off they recall MPs to a vote. The MPs divide by chamber to vote into the ayes and the nays. 

Though I’ve included the Blue Boar as a pub, I’d make a distinction and call it a bar despite its pubby title. It’s dark and cool - shelter from the baking heat outside. It’s tidy, shining and clean but not sterile. The staff are friendly and perambulate as official welcomers. There is no cask beer but there is keg from Meantime so I climb up on a stool and hang my bag from a hook under the lip. I order a half of Yakima Red and it’s served in the brewery’s balloon glass with beads of condensation trailing their way down its bulge. It’s chilled, cherry-like, resinous and dry. It really hits the spot and is as photogenic as an advert.


As you don’t pay up front, I do begin to worry how much this refresher might cost. When I settle, the bill’s served to me on a little tray and I’m relieved to find it’s only £2.70. For those of you channeling your inner Arkwright and screaming “Ow much?!”, anyone familiar with central London will understand that it could’ve been much worse. 

They let me keep the beer mat and I even leave a £0.30 tip. Visiting a cubicle in the gents, I find the end of the toilet roll has been folded into a point. After I’ve finished, I use my best origami skills to reinstate it. There are no hand driers - just laundered individual flannels. Absolute class.

I leave the Blue Boar and proceed down Broadway to my second destination on Storey’s Gate: the Westminster Arms - a Shepherd Neame pub. I walk in and it’s wood panelled everywhere. Soft leather stools describe the room’s circumference under neat elbow shelves. There is no furniture in the middle of the floor which means that when it’s busy, it’s a hive of humans buzzing in symphony. There are also upstairs and a downstairs rooms which are more for tourists looking to eat. I don’t explore them. 


There’s a young man and an older man serving. Both seem to be French or Belgian so I suspect father and son. When you cross the threshold the elder asks “can I ‘elp you?” There are ceramic demijohns perched on high and I also notice some of the upper panelling at the wall/ceiling junction: old brewery advertisements proclaim Stock India Pale Ale (KK) and East India Pale Ale (AK). What I love the most is the pub’s original telephone number: simply Westminster 365. I’m looking for something else though. I approach the younger barman and get as far as the word division and he points it out on the wall behind me - it’s a beauty of walnut, bakelite and iron.

Often when a two thirds majority is needed to pass a motion, the speaker (currently conservative MP John Bercow) will shout “empty the lobbies -divisiooon!” and the bells will then sound for exactly eight minutes.






I order a pint of Master Brew and sit at the window. Like the decor, the beer glows like burnished oak. On the taste buds it’s treacly and malty. It’s desperately English and reminds me of a Werthers Original dissolving on the tongue with a background hint of leaf litter. I never used to regard staple Shepherd Neame beers in this way - this has come about due to the comparative harsh, garish and aggressive souls of modern craft brewing. When you go back to them, older bitters taste more and more like Nesquik.

To get to the next pub you to go straight past Parliament Square and the east wing of the houses of parliament then traverse one of the busiest pedestrian crossings in Britain to visit St Stephens Tavern. It’s one of a handful of London pubs run by Hall & Woodhouse, aka Badger from Dorset.


Both the interior and exterior of the pub are amazing. The outside is a sloping goods delivery access that looks directly at Queen Elizabeth tower (remember - big ben’s actually the bell inside). It’s at once a cacophony of sound - vehicles beeping, engine noise, tourists, people playing music - and complete serenity. I think it’s the surrealness of facing a postcard brought to life that takes the auditory sting out of it. The staff all have ear pieces - they’re “plugged in” - like the agents in the Matrix.

Inside the ceiling seems to make a bid for the sky and the windows follow them all the way up. Each vertiginous pane is also etched and has its own taylor made curtain which in turn has its own taylor made cords with tassels. Mirrors behind the bar are backlit. There are double-topped circular perch tables (similar to a cake stand on top of a coffee table). There’s a TV screen on mute showing BBC parliament.


Most beer engines dispense Fursty Ferret but there’s also Tanglefoot and First Call. I order a pint of the latter. It’s dark, sweet and tangy. Again, it’s been awhile since I had any of these beers and part of me wonders if they forgot to add the hops.

In the run up to the division, the preceding debates can last hours so many members of Parliament scurry off to nearby watering holes instead and remain there until their respective bells ring.












I gaze up at the division bell which I saw as soon as I walked in. It’s high up the wall here fronted by a grille. It looks like the bottom half of a grandfather clock; an actual clock face right above it bolsters that comparison.

I choose to cross back over the road and walk directly under the Queen Elizabeth tower in order to cross Westminster bridge and backtrack along the southern bank of the Thames. It’s worth it just to photograph the palace over the water. I cross back over Lambeth bridge into Millbank to get to Romney Street and the Marquis of Granby - a Nicholsons pub.

The Marquis of Granby is a one room pub. It’s busy but most of the customers stand outside. There are luxurious burgundy leather couches and copper-topped tables. Two electric chandeliers give the interior a yellow feel. In a recess behind the bar, I’m surprised to see four casks on gravity tilted forward but none of them are yet ready to dispense. I opt instead for a pint of Trumans Runner - it’s dark amber and balances the malt with a sharp citrus zest. It’s the best thing I’ve had on cask today.


The obvious question pops out and a woman behind the bar points me towards it. She surprises me when she says that it was going off every half hour on the day the commons voted on whether to keep Trident - Britain’s nuclear defence system. I presume there must have been other votes on the day. 

Members of Parliament have just eight minutes to get to the relevant chamber in the palace of Westminster and vote. Once the eight minutes are up, the chamber doors are barred.







The Marquis’ division bell is the most interesting thus far. It looks a bit like a pair of binoculars mounted on a wooden noggin. Below it, a few sentences about its function have been hand painted in italic. Spotting my interest, a woman called Prue gives me her own little hand written card. So far I’ve been impressed by the hospitality of staff in all the pubs - especially since they’re toiling in one of the most tourist-saturated slices of the capital. They’re true grafters.

The next stop is on Parliament Street for a pub that stands virtually opposite Downing Street. The Red Lion is a Fullers pub. The inside needs to be visited to be believed: there are round window recesses perfectly encompassing their round tables. Hogsheads are also used to put drinks on. Behind the bar, and arguably forming it, is a one-piece wooden scaffold accommodating clocks, bottle shelving, ceiling columns and fridges. There are political portraits on the walls and two massive chandeliers. Even the hand pumps are taylor made - the most sturdy brewery-branded pulls you’ll see.


On the downside, the Red Lion has the least majestic division bell so far to the point that the woman serving is quite apologetic about it. 


I order a pint of Oliver’s Island and take a few oblique shots with the camera. Because of the crowd, I can’t get a straight shot at it. As you’ll see - my photo is as underwhelming as the bell.

Members of the public and tourists often run outside at the ringing of the bells - they assume it’s the fire alarm.









The last stop is a Taylor Walker pub called the Prince Albert on Victoria Street. The division bell is upstairs in a dining lounge with restrictive opening hours so it’s actually a return visit. When I go upstairs to immortalise it, it’s a beauty. The twin bells gleam in the peachy light.

To get from here or indeed the Blue Boar to a voting chamber in the house of commons within eight minutes would require an MP to break Usain Bolt’s sprint record in my opinion. It’s not just the length of Victoria Street or Broadway, but having to negotiate the traffic lights around Parliament Square and then getting into the palace and its labyrinthine corridors itself.

When you think about it, lots of MPs must stagger through the chamber to vote when they’re under the influence of alcohol.









The Prince Albert interior is a mecca to Victorian pomp and confidence. The colours are walnut, burgundy, cream and black. Every pillar, table, elbow shelf and chair leg seems individually turned on a lathe. Light is multiplied through mirrors behind the bar. All the windows including the panes on the saloon doors are etched. I have a half of Trumans Swift - it’s golden, clean, dry and lemony.


It seems our MPs would rather be out drinking than taking part in a debate. Perhaps they're more like us than we give them credit for.

I found that the pubs containing division bells are utterly proud of them and keen to point them out. Most installations look lovingly polished too.




Tuesday, 19 July 2016

Getting a brew on: tea-infused beers



Coffees with heads you could stick flakes into have usurped our dainty cups of tea. When visiting people’s homes, tea was always the default offering. Coffee was a backup choice - back there with cocoa, hot chocolate and Ovaltine. Perhaps Britain’s decline in the world correlates with the dearth of raising our little finger. 

Beer and coffee hybrids can be quite special. The alcohol relaxes and loosens you out, the coffee stimulates and hones you to a point. I find that on occasion the mixture of booze and caffeine can bring on a headache - especially if its ABV pounds into double figures.

This vertical tasting sees beers from Siren Craft Brew in Finchampstead, Hammerton Brewery in Islington and Pope’s Yard Brewery in Watford. Each different beer style has been blended with the herbal, the relaxing and the invigorating: tea.
         


Siren Craft Brew - Vermont Tea Party - bottle conditioned 3.6%

loose leaf pale ale with earl grey tea and lemon zest 


This beer is based on Siren’s original tea beer - Love of Work. The yeast is from Vermont. Citrus zest has been used to complement Chinook, Citra, Equinox and Amarillo hops. 

Decanted, the colour is lemony and turgid. The head rocks up like white nougat. You can hear it popping like Rice Crispies as it declines.

On the nose I certainly get the lemon zest but also some dark gritty malt like pumpernickel bread. The carbonation is zinging. 

The malt in the aroma isn’t reflected on the palate. Lemon is the strongest taste that comes through. It’s easy-going, maybe not surprising considering its svelte ABV.

I like it. The beer made no claims of having a complicated character. It’s perfect for sipping outside in the summer - ideal for watching Wimbledon. The refreshment’s similar to a lime cordial or a lemon squash with the added “herbal high” of the tea. I do get a calming feeling; my heart rate feels as though it’s slowing.


photo source: Wikipedia


The leaves of the traditional tea plant - Camellia Sinensis - contain L-theanine linked with reducing mental and physical stress, improving cognitive performance and lowering blood pressure. When brewers dry-hop, it’s virtually the same process as adding tea leaves to hot water. The heat teases out the oils and flavonoids.








Hammerton Brewery - Baron H - bottle conditioned 5.8%

earl grey black IPA


Baron H is short for Baron Howick, aka Earl Grey - the Prime Minister the tea is named after. This ale is hopped with Chinook, Cascade, Mosaic, Columbus and Summit. 

The colour of the ale is deepest cola burgundy. The head is beige and beautiful; it builds high into a whisked batter of mismatched bubbles.

The aroma is appetising: a mixture of bergamot, ginger and chocolate malt. It smells more like a seed-based or wholegrain snack bar.

First sip is like a draught of coffee but it harbours friends with benefits. You’re led through a solenoid able to shoot you down three legs: the calming tea earthiness, the buzzing roast caffeine hit or the sweet stout creaminess. In fact, you’ll travel down each simultaneously. 

It has a smooth malty mouthfeel too but the carbonation gives it vitality. There’s even a fennel note - presumably from the earl grey. There’s also a mild Marmite note (I’m a lover rather than a hater btw) and an zincy mineral water edge.

There’s loads going on but it’s well compiled and eminently moreable. You’l feel sated at the end.


photo source: Wikipedia


Tea today is a varied creature. For one thing, unlike coffee beans, it isn’t actually anything specific. Different teas (more accurately “tisanes”) are made from different plants, buds, petals, fruits, roots, leaves and stems. In the last week alone I’ve had peppermint, stinging nettle, popcorn and roast almond tea.









Pope’s Yard Brewery - LSP - bottle conditioned 10.2%

lapsing souchong porter 


This porter is made with many malts - Maris Otter, Crystal, torrified wheat, roast barley and black and chocolate malt. Target and Golding hops are then used with molasses.

The beer in the glass is pitch black and impenetrable to light. All I can see is the reflection of my nose made bulbous by the glass’ curves. There’s a brief head the colour of brown sugar that releases a sigh as it goes down; high ABV beers don’t often retain a mousse.

On the nose I get bitumen and liquorice. It smells like a rich dark dessert. It’s tantalising. The liquid when you rock it back and forth is viscous - again, no surprise for such a boozy heavyweight.

When I sip it with my schnoz almost touching the surface of the beer, I get peripheral minty notes on the inhale and get memories of Vicks VapoRub. You can feel the alcohol pixellate you but thankfully you can’t taste it. Bergamot comes through as you down it. It’s sticky on the lips like figs and there’s a taste a bit like biro ink.

On the palate it’s tangy with a fruity spiritous edge - stewed dark fruits - plums, blackberries, damsons, and black cherries. It reminds me also of the brandy you get in Kirsch chocolate liqueur sticks

It doesn’t weigh as heavy as you might think but considering the punch it packs, isn’t quite as interesting or intense as it could be.


Conclusion?
               

The Lapsang Souchong porter is still worth investigating but outmatched in this taste-off. With another palate, another mood and another climate these thoughts could change.

My runner up would be Vermont Tea Party for its sunlight. The brewery is building a portfolio of bold recipes that occupy each weight division. This beer’s been brewed at the right time of year and quite a few hours could be whiled away on this. I think it could also be great on cask. I will seek it out for this summer’s beer garden sittings.


Baron H definitely wins this session. There’s so much going on you can dine out on it but it’s not so heavy you couldn’t have a several of them. It’s just right for its bottle dose. Each sip is a short cruise around the senses. I love how none of the characteristics overwhelm one another. I think it would go really well with an evening of Scandi crime drama on TV and a slice of coffee cake.

other tastings:

Heavy Black IPAs:
Heavy Rye Beers:
Flanders Beers:
Black Bean Beers:
International Saisons:
Kolsch Beers: